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Tony Cokes, a Professor in Media Production at Brown University's Department of Modern Culture and Media, is a post-conceptualist whose practice foregrounds social critique. His video, installation, and sound works recontextualize appropriated materials to reflect upon our production as subjects under capital. His recent projects often take the form of text animations with sound functioning as a constitutive, intertextual element, complicating the visual. Cokes' works have appeared in exhibitions at The Museum of Modern Art, NYC, MACBA, Barcelona, Spain, the Whitney Museum of American Art, Centre Georges Pompidou, Paris, France, ZKM, Karlsruhe, Germany, SFMoMA, San Francisco, and La Cinémathèque Française, Paris. His numerous media festival screenings include Oberhausen Short Film Festival (1993, 2005), International Film Festival Rotterdam (2001 – 2006, 2009 - 10), and Rencontres Internationales Paris-Berlin-Madrid (2003 – 2010). Cokes' projects have been supported by grants and fellowships from The Rockefeller Foundation, John Simon Guggenheim Foundation, Creative Capital Foundation, and the National Endowment for the Arts. For the 2008-9 academic year he was a Resident Scholar / Artist-in-Residence at The Getty Research Institute in Los Angeles, CA.